The Bharatanatyam is one of the major classical dance styles of India and one of the oldest, it does not separate the dancer, actor . Its origins date back about 2500 years ago in the region of Tamil Nadu, when the "Devadasi" (Literally servants of God) to worship the gods with their dances in temples and in the courts.
Several temples testify to the start of the dance theater in India with his sculptures. The coding of this art in its theoretical and symbolic was written in the Natya Shastra, dramatic treaty in 3600 slokas or verses accurately describe every aspect, theoretical and symbolic representation of dance, music, drama, costumes, makeup , acting, scenery, and others.
is the basis for understanding the structure and development of dance and theater in India.
The term "Natyam" in Sanskrit means dance, "bharata" is an acronym for three words: bhava (expression), raga (melody) and tala (rhythm). In fact bharatanatyam is a perfect synthesis of these three elements.
There are six different styles of this dance:
1. Pandanallur
2. Tanjavur
3. Mysore
4. Vizhavur
5. Kanjeepuram
6. Melattur
Kalakshetra style is best known today and is a combination of styles and Pandanallur Tanjavur.
basic units of movement are called "adavu" derives from the Tamil root "adu" which means "dance" is like saying the study of the asanas in yoga. These "adavus" are divided into families, the number of families varies according to type (PRANI). Changes in adavus between different styles can be: the position of the head, steps, jumps, and in particular the position of the hands.
The adavus form of labor and coordination of movements of feet, hands, eyes ... are executed to the beat of rhythmic syllables called Sollokhatu "(each family corresponds adavu a shollokhatu) such as "dit dit tei" or "tai and tai - tai and tai" and many others, each syllable is used for a particular sequence of motion.
The Bharatanatyam has two well-defined aspects: technique and expression, both of them use hand gestures. In the first aspect is used as a aesthetics (to), while in the second acquire sacred meaning to tell stories and myths Indians (mudra).
TRANSMISSION this art is oral and notational techniques are practically nonexistent.
Their movements are broad and precise, perfect body symmetry in space, through hand gestures, facial expressions, eye and body. Also called "yoga in motion" this dance helps you find the balance and union between body, mind and spirit.
Bharatanatyam today is an art form developed in India and worldwide.
Lonavla, India. In the house Ujwal Bhole Guruji. MOTION
SEMINARS
The workshop aims to identify the principles of dance in the style Tanjavur, provides the study of the basic positions dance, the first sequence of basic movements in dance at three different speeds, eye movements, hand gestures, a poetic sequence of dance theater called sloka. Choreography of the traditional repertoire, knowledge of theory and history of dance through lectures and video screenings.
The duration of the seminar varies according to content, with a charge time of 3 hours minimum.
The Bharatanatyam is good practice for actors, dancers and anyone interested in philosophy and oriental disciplines male or female.
Benefits of Dance:
-balances, integrates and develops the hemispheres of the body (intuitive and logical) . Develop body awareness and spatial perception of rhythm. Expressiveness
-Work through the study of emociones.Ayuda to the present moment awareness through active meditation.
-stimulates the body's energy channels through the use of hand gestures
.
-Tones muscles and sculpt the body.
-stretch the spine, strengthening the legs and limbs.
-Develop the precision of movement through the merger.
Basik Design 
Mexico.
Mexico. seminar for dancers, actors, lovers of the culture of India and anyone interested in experimenting with new expressions and rhythmic, with or without previous knowledge in this discipline.
participants are advised to wear comfortable clothing, long pants, loose, left bare feet during the execution of the dance. Can bring notebook and pen to write.
For information contact: 
Vanesa Vera Vernhet
Vanashree
Cel: 1566865078 (Argentina)
+ 00 39 3481880067 (Italy) vaneveraver@gmail.com
w ww.myspace.com / vanashreedanza
Facebook: Vanashree
Vanashree
Cel: 1566865078 (Argentina)
+ 00 39 3481880067 (Italy) vaneveraver@gmail.com
w ww.myspace.com / vanashreedanza
Facebook: Vanashree
IMAGE: adavus, basic sequences of movements.
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